In stereophonic recording, twin microphones are positioned in order to more accurately record and represent a sonic moment. In Stereo takes this as its guiding principle. The collection is a record of dualities: this is split speaker, split personality, poetic turntablism flipped a-side to b-side. Found language from a wide variety of source texts forms a mashup of manipulated sampled materials: from CD copyright lingo to pop culture text to sound ecology, pataphysics, Sun Ra and Gertrude Stein. In Stereo demonstrates the potential transience and fluidity found within recorded meaning.